The second series of writing workshops I was planning this year didn’t work out because I didn’t get enough interest to make a big enough group. This happens from time to time, and it doesn’t faze me.
The reason why is because I invariably find the timing would have been bad for me, and that life was working in my best interests in overriding what I had planned. On this occasion, I injured my back a few days before the first session would have been and spent the best part or a fortnight laid up in agony. The third session would have clashed with a family get-together; the fourth would have come when I was recovering from a sickness bug we all came down with after we parted.
The course, had it gone ahead, would have been fraught with problems, and that’s the point – we don’t know when we’re making plans what the consequences of success or failure might be.
I need goals to give me a sense of direction, and when I set a goal I go all-out to achieve it. Then, if it doesn’t work out, I know it wasn’t for lack of trying on my part, so it’s easy to let it go and look for the silver lining.
Because there always is a silver lining. Take the three books I completed last year, none of which sold on the first time of offering
‘The Binding’ is a children’s story set on a remote Scottish island. I wrote the first version fifteen years ago, my agent sent it out, it nearly sold, but not quite. Coming back to it after such a long interval, having a much better grasp of the craft of writing, I loved having the chance to make the story much stronger and more exciting. The book has been accepted for publication in 2015.
- ‘Drift’ is a YA novel I also wrote about fifteen years ago – which also came very close to securing a contract at the time, but didn’t. It’s a story about sibling suicide, which is close to my heart – too close, those years ago, for me to be able to fully explore the emotional situation of the protagonist. Writing it again was a deeply satisfying experience which I would not have had if the book had sold in its original version, and the MS is currently out with various publishers.
- ‘Writing in the House of Dreams’ is my child-of-the-heart book. It didn’t find a conventional publisher because it’s ‘too niche’ and if I hadn’t loved it so much I would probably have put the MS in a drawer rather than face the complications of trying to self-publish. Because I love it, I’m going the distance with the publishing, doing it properly, and the surprising upside is that the process feels really enjoyable and creative.
Any freelance life involves plans and goals, setbacks and successes. Being a writer, you have to learn how to go with the flow, or else the extraordinary ups and downs would soon make you go under.
How do you cope with the ups and downs of the writing life?