Tag Archives: book promotions

Organising an indie author book tour

When I published my latest book, Free-range writing: 75 Forays for the Wild Writer’s Soul, I decided to celebrate it with some author talks and workshops, as I always do with a new book.

JA_FRW_CVR_EBOOK_CVR copy

In publication week, I did both a talk and a free-range writing workshop at Looe Literary Festival. I got subsequent bookings for talks at the Liskeard bookshop and Totnes Library, and for workshops at Launceston Library and the Penzance Literary Festival.

2017-11-12 14.31.32_preview
We launched at Looe

But this time I didn’t want to just stick to my local area – the theme of the book sparked the idea in me that I’d like to go free-ranging around the UK.

I live in Cornwall but I go away a lot for visits to family and friends, meetings and events, and my plan was simply to try and fix up free-range writing workshops in places I was already planning to visit. That way, I could spread my tour across the year and it would be both low stress and light on expenses.

I emailed independent bookshops, libraries and festivals in various parts of the country I often visit; then I waited to hear back. But although I sent out exactly the same proposal as I’d sent out locally, none of the bookshops and libraries outside my area got back to me, except the completely excellent Orkney Library, which is up for an event next time I’m there. (Shout out to Orkney Library for recently celebrating reaching over 50,000 followers on twitter. Be there or be square!)

Orkney library's famous balls
Orkney Library’s famous balls

I thought my little tour was dead in the water, but then it gradually dawned on me that bookshop and library events are almost always either local authors or else ones with a high profile nationally.

So I wouldn’t be able to get events outside the South West in the normal way, by approaching bookshops and libraries – I would have to approach it from a completely different angle. I had to stop asking myself, ‘What would a publicity department do?’ and, for my independently published books, start thinking like an inde.

So here’s my first tip: Think like an inde

I was booked to teach a workshop in Peterborough for Writing Magazine in April, planning to stay with my sister-in-law in Stamford afterwards, but my first enquiry to the library there had gone unanswered and I’d had a no from the bookshop. However, the bookshop owner had kindly taken the time to suggest I contact the Arts Centre.

Why hadn’t I thought of that? Because I was in traditional book-tour mode, looking for hosting in bookshops and libraries, and not thinking like an inde. I booked a meeting room in the Stamford Arts Centre, sent them a poster to put up on their noticeboard and put the word out via social media.

I decided not to pay for advertising, because then I would have to charge more for places, and I already had to cover room hire. I braced myself for the possibility that I might only get one or two bookings, if I got any at all, and that would leave me out of pocket.

But the workshop was fully booked. Fourteen lovely local writers round the table, and a thoroughly enjoyable session. I’m hoping to provide another workshop there, on a different theme, next time I’m in the area.

I was elated! I set about finding meeting rooms in other towns I would be visiting later in the year. I searched ‘meeting rooms’, but soon became disheartened, because even the smallest ones were really expensive to hire. The world of meeting rooms wasn’t geared up to serve private events for small independents like me.

Tip two: Think like an author

I was ready to give up again when it occurred to me to try a different tack: writing workshops aren’t business meetings – there’s no corporate budget. What’s more, numbers are small and writers aren’t generally known for their high spending power. I searched again, this time not for meeting rooms but for writing groups in the towns I was going to, in order to find out where they held their meetings.

I found that writers’ groups were meeting in cafes and community buildings, pubs and Quaker houses, all at much lower prices than business meeting rooms, and I booked myself some rooms in Cheltenham and Bath, to tie in with my next two trips up-country. Here are the posters.

Cheltenham

Manvers Street Baptist Church

It’s still scary, because what if no-one comes? But I get a real buzz from teaching these workshops, so I’ll be tweeting and posting on facebook, and hoping for the best.

This approach might not work for all indie authors, but I haven’t got any bestselling ambitions or desire for fame. With all my writing books, articles, blogs and workshops, besides needing to pay my bills, my main aim is to create and participate in communities of readers and writers, and my free-range writing tour is helping me to take that further.

I’ll be looking for venues in Oxford and London soon – does anyone know any cheap, writerly rooms in those cities?

In the meantime, if  you live near Bath or Cheltenham, do check out my upcoming free-range writing workshops in those cities, and please tell your writing friends! 

 

 

 

 

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A therapist for the non-writing writer

Writing. It’s amazing. It can help us to

  • explore and gain mastery in our inner worlds of emotion and imagination
  • develop, organise and share our ideas
  • satisfy our natural yearning to create beautiful objects
  • make our own entertainment and never get bored

The way children learn to write at school completely ignores all these wonderful benefits and that’s why, ten years ago, I wrote my children’s book, How to be a Brilliant Writer focusing not just on the nuts and bolts of how to do it, but also why you might want to, and what writing can do for you.

I knew I’d want to write some books for adults about writing one day too, because I’m a bit of a maven – when I’ve found something great, I just have to share it.

In the spirit of the maven, I'm sharing the fab book I first found the word in
In the spirit of the maven, I’m sharing the fab book I first found the word in

After Writing in the House of Dreams last year, which is about dreams as much as writing, I started work on a new book just about writing, no dreams – writing as a hobby, a spiritual path, a career – the psychology, the process, the question of publication – a distilling down of what I’ve learned from a lifetime of writing and twenty three years of being published. I called it When a Writer Isn’t Writing: How to Beat Your Blocks, Be Published and Find Your Flow.

I didn’t offer the manuscript to my agent or traditional publishers, but decided instead to go straight to self-publishing. The main reason was that I wanted to get a second book out fairly quickly after Writing in the House of Dreams, as I thought two books on different aspects of the same theme might support each other in the market – if someone read one and liked it, they might take a punt on the other.

Writing my book about writing was relatively easy because I’d been thinking about it for several years before I sat down to start. Sending the manuscript out to beta readers – which is really important when a book isn’t going to go through the traditional agent+publishers vetting process – also felt unchallenging, because I was confident in the material.

Working with the editor and then the designer felt like part of the creative process of the book, so I enjoyed that too, but then I had to get to grips with some promotion and pre-publicity, and that certainly didn’t feel like part of the creative process to me.

When the focus lifts from writing to sales, my interest always dips, and with this book I began to sabotage my promotional efforts by thinking ‘what’s the point anyway?’ which made it even harder to feel motivated.

One of the things that got me thinking that way was that my experience with Writing in the House of Dreams had been mixed. I had struggled to find my elevator pitch, because that book straddled two areas of interest, dream-working and writing, so it didn’t fit neatly into either. (My thanks again to Susan Price, who described the book perfectly in her review of it, and so helped me reframe how I describe it myself)

Not having a clear enough concept, all my efforts to get some pre-publicity for it hadn’t achieved very much, and had felt like a waste of good writing time.

I was on the point of deciding to just press publish and let When a Writer Isn’t Writing sink or swim without a shout, when I had this dream:

I’m thinking about my app Get Writing! and I see that the tasks could be represented by people sitting on a wall, and you could click any one, and they would all take you to a writing task. Just writing, so you could click with confidence, knowing what you were going to get.

When a Writer Isn’t Writing is like that, which means it will be easier to pitch and sell than Writing in the House of Dreams. That book could take a writer places they don’t want to go, but When a Writer Isn’t Writing only takes them into writing. 

This dream gave me the energy and confidence to stop messing around and do some promoting, and I managed to place articles in Mslexia and The Author. Mslexia have subsequently approached me to ask if I’d like them to feature the book in their October competition. Er… yes please!

There will be reviews on the book analyst and awfullybigreviews, which I’ll link to here when they go up (if you’re a book blogger and would like a review copy, please get in touch!) I’m also organising a launch party in September.

It’s been a tough couple of months, not because self-publishing, writing press releases, pitching articles and organising events is hard and horrible work – I actually quite enjoy it – but because it takes up so much head-space that it stops you getting stuck into new writing.

My daily dose of writing – every stage from pondering and note-taking to drafting and redrafting – is what normally keeps me feeling happy and grounded. Writing isn’t just amazing – it’s addictive.

A non writing writer is a monster courting insanity | Franz Kafka

Dreams are my therapist when not writing makes me feel a bit crazy – what helps you?