In Becoming a Writer Dorothea Brande points out that it isn’t only themes and characters that emerge from the unconscious mind through writing. She says the unconscious is also ‘the home of form.’
So as well as trusting the flow of ideas if we open our mind by entering the ‘writer’s trance,’ we can also trust that the ideas will organise themselves into the shapes of books and stories.
I definitely find this in my own work.
When I’m writing, whether it’s fiction or non-fiction, I start with a sketchy plan and head off from Start in the general direction of Finish, wondering how on earth I’m going to get from one to the other, until suddenly I begin to see the shape of the whole thing in my head like a geometrical figure or a pattern of numbers.
At that point, I become fully engaged. I dash along like a mad thing, joining the dots to make the beautiful shape of the book I’m creating.
This means all my books have a sort of symmetry in the contents – the four Peony Pinkers, for example, all have 17 chapters. Why 17? I’ve no idea, only that that was the number they needed, and I knew each story was on the right track the moment I could see how it could make 17 chapters.
Writing in the House of Dreams came out as four parts, each part having three chapters.
My brand new book, The Binding, has three parts and each one seven chapters.
This mysterious geometry is very marked in my own writing practice but not all books divide so obviously into a balance of parts, so it can’t be exactly the same for all writers.
Still I imagine there must come a time for everyone when something clarifies in the mind; you see the finished shape of the whole book, and the writing steps up a notch to engage with it.
If you are a writer, do you recognise what I’m talking about, or am I just weird?!